Stranglers

The Stranglers are an English punk/rock music group.

Scoring some 23 UK top 40 singles and 17 UK top 40 albums to date in a career spanning five decades, the Stranglers are the longest-surviving and most "continuously successful" band to have originated in the UK punk scene of the mid to late 1970s. Beginning life as the Guildford Stranglers on 11 September 1974 in Guildford, Surrey, they originally built a following within the mid-'70s pub rock scene.

While their aggressive, no-compromise attitude identified them as one of the instigators of the UK punk rock scene that followed, their idiosyncratic approach rarely followed any single musical genre and the group went on to explore a variety of musical styles, from new wave, art rock and gothic rock through to the sophisticated pop of some of their 1980s output.

They had major mainstream success with their single "Golden Brown". Their other hits include "No More Heroes", "Peaches", "Always the Sun", "Skin Deep".

The Stranglers' early sound was driven by Jean-Jacques Burnel's melodic bass, but also gave prominence to Dave Greenfield's keyboards at a time when the instrument was seen as unfashionable. Their early music was also characterised by the growling vocals and sometimes misanthropic lyrics of both Jean-Jacques Burnel and Hugh Cornwell. Over time, their output gradually grew more refined and sophisticated.

Summing up their contribution to popular music, critic Dave Thompson would later write: "From bad-mannered yobs to purveyors of supreme pop delicacies, the group was responsible for music that may have been ugly and might have been crude – but it was never, ever boring."

In 1979, one of the Stranglers' two managers advised them to break up as he felt that the band had lost direction, but this idea was dismissed and they parted company with their then current management team. Meanwhile Burnel released an experimental solo album (Euroman Cometh) backed by a small UK tour and Cornwell recorded a collaboration album with Robert Williams (Nosferatu). Later that year the Stranglers then released The Raven, which heralded a transition towards a more melodic and complex sound which appealed more to the album- than the singles market.

The songs on The Raven are multi-layered and musically complicated, and deal with such subjects as a Viking's lonely voyage, heroin addiction, genetic engineering, contemporary political events in Iran and Australia and extraterrestrial visitors, "The Meninblack". The Raven was not released in the U.S.; instead a compilation album The Stranglers IV was released in 1980, containing a selection of tracks from The Raven and a mix of earlier and later non-album tracks.

Following the Stranglers' return to commercial success, many record companies lined up to sign them. Virgin Records was the most likely choice but Epic Records made a last minute offer and secured the Stranglers' services. The Stranglers once again had complete artistic freedom and in 1983 released their first album for Epic, Feline, which included the UK #9 hit "European Female".

The album was another change in musical direction, this time influenced by European music. It was the first Stranglers album to feature acoustic guitars, and it was on this album that Jet Black began to use electronic drum kits. It gained much critical success but fell well short of La Folie in terms of sales and failed to produce another hit after "European Female". Nonetheless Feline broke the Stranglers in Europe and reached No.4 in the UK chart in January 1983 (their last studio album to break the UK Top 10).

The Stranglers achieved something of a critical and popular renaissance in 2004 with the acclaimed Norfolk Coast album and a subsequent sell-out tour, together with their first Top-40 hit (#31 UK) in fourteen years, "Big Thing Coming".

In May 2006, Roberts left the band, and The Stranglers were now back to a four-piece line-up: Burnel, Black, Greenfield and Warne, with the lead vocals shared between Warne and Burnel. In concert, Burnel returned to singing the songs he originally recorded as lead vocalist, and Warne sang the numbers originally led by Hugh Cornwell.

Suite XVI, the follow-up album to Norfolk Coast, was released in September 2006 (the title is a pun on "Sweet 16" and also a reference to the fact that it was the band's sixteenth studio album) and continued the band's resurgence. Although partly a return to the band's heavier punk roots, the album featured a typically idiosyncratic mixture of musical styles which included a country and western style Johnny Cash pastiche/homage "I Hate You".

In 2007 it was reported that drummer Black was suffering from atrial fibrillation, an ailment which subsequently forced him to miss a number of shows, particularly where extended travel was required. On such occasions Ian Barnard, Black's drum technician, deputised.

2010 for the Stranglers continued their recent resurgence, starting with an extensive UK tour, including a sold-out return to the Hammersmith Apollo in March, their first visit there since 1987. They were supported on the 16 date UK tour by Max Raptor from The Midlands.

A new double CD compilation album, Decades Apart, containing a selection of tracks from the full career of the band, including at least one from each of their sixteen studio albums and two new tracks, "Retro Rockets" and "I Don't See the World Like You Do" was released in February.

The download version of Decades Apart included an unreleased recording from 1978, "Wasting Time", inspired by the band's 'Rock Goes To College' experience earlier that year;[36] this track, originally titled "Social Secs" was never released, and the music ended up being reversed and released as "Yellowcake UF6", the B-side to "Nuclear Device" in 1979.

Across the summer the band played a number of festivals, including Weyfest and Glastonbury and T in the Park in the UK and Oxegen 2010 in Ireland, and concerts in Japan, Greece, Poland, Slovakia and Bulgaria.

The band also released a new live album and DVD, recorded at the Hammersmith Apollo in May 2010, and are recording further tracks for their next studio album, likely to be released early in 2011.

In March 2011, the band completed another UK tour. Burnel's long term friend, Wilko Johnson, was invited to bring The Wilko Johnson band on the tour. In April, the band began touring Europe, with many gigs and major festivals lined up for the entire year.