If you know Lisa Germano's work...
...you'll know to take Excerpts From A Love Circus home with you. It's not an album that's going to benefit from being listened to in a office – competing with the phones and the faxes and the e–mails. As ever, Lisa whispers her secrets into your ear, and you wouldn't want to miss anything. (Well, you could skip to track seven and play 'Small Heads', the single, in the office; but you'll end up playing two–note air piano on your desk, and you may suffer ridicule from your peers.)
If you don't know Lisa Germano's work...
...then this is a good day. You've got a really fine record here – and, even better, there's three others for you to catch up on. Lisa mainly sings about dysfunctional relationships, and some of her songs get pretty grim, but somehow her records always end up being funny and uplifting as well. Her voice is very breathy and gets right inside you, as does her violin playing. Her songwriting is simply extraordinary – as intense, honest and personal as anyone writing today. From her lyrics, you'd figure that she has a very low opinion of herself. Boy, is she wrong.
Previously on Lisa Germano...
Lisa made an album called On The Way Down From The Moon Palace. It was just some demos she recorded at home, but her friend Paul Mahern encouraged her to release it, and she did – on her own Major Bill label. Why Major Bill? Because putting it out cost her a major bill. ("Ha,ha,ha," as Lisa would say.)
That got her a deal with Capitol, and she made another record, called Happiness. This record is about missing out on something, or longing for something – or some state – that you don't have anymore... You would give anything To change back To when The waves Were smaller And you could jump Over Change back To when You laughed Easy And all your moves Were childlike
...and it's about dysfunctional relationships, and trying to work out whether, if everyone's shitting on you, you might have done something to deserve this treatment, and whether your view of yourself is closer to the truth than other peoples's view of you. Somewhere along the line, Lisa realises that if she wants to be happy, it's up to her.
Happiness Is like TV On or off It's up to me
Capitol released Happiness, but then 4AD boss Ivo Watts–Russell saw Lisa at a showcase and approached Capitol about licensing the album in the UK. It quickly became obvious that Lisa and Capitol weren't hitting it off, and Lisa moved across to 4AD. Happiness was remixed and re–sequenced, and the cover version of 'These Boots Were Made For Walking' that Capitol had insisted on was dropped, and the album was re–released on 4AD.
I think that Lisa still has some doubts about Happiness, but she's wrong again. It's a brilliant album. However, it wasn't as pure a realisation of Lisa's vision as she was capable of – as you realise when you hear the next record. Geek The Girl is up there with John Lennon's Plastic Ono Band and Nirvana's In Utero as a raw, sore and aching personal catharsis. She sings about child sex abuse, rape and being followed by a stalker, and it's all kept firmly and bravely in the first person singular...in case you thought she was just writing songs or something.
The title track was named by Brian Eno as the song he listened to most in 1995 (in one of those end–of–year features in Q magazine). He wasn't alone.
Lisa talks about the new record
"You guys get that catalogue, right?" asks Lisa Germano, referring to Victoria's Secret – the sexy underwear by mail order company, and now also the title of a Lisa Germano song.
What is Victoria's secret What is Victoria's secret She says You're ugly I am pretty Your man wishes You looked like me
"It should be fun looking through it," says Lisa, "but when you're depressed and you think you're ugly and your boyfriend left you, and you really don't need to have this shoved in your face – full of beautiful breasts and slinky legs."
Lisa sang 'Victoria's Secret' at a benefit for a women's shelter. When she announced the song a heckler yelled out something so abusive that "I told him, if you're going to say that fucking stuff, get the fuck out of here, and the next day the press was all about, oh, she can't control her temper." Yeah, right. Lisa's problem is she control's her temper too well. Witness 'Messages From Sophia': "I got home to someone and I walked into the house and there was this really sexy message from a French woman on the machine. And I thought, wow, I caught him. And I confronted him, and he denied it. I decided to just watch him. I just let it go. I wrote that song about it. Later, I did get dumped."
This gets us neatly into Lisa's favourite area – relationships that aren't working out, why the hell you got into them in the first place, and why it's so hard to get out of them. As your English teacher would tell you, there's a conflict here. The trio of songs – 'Bruises', 'I Love A Snot' and 'Forget It, It's A Mystery' – work over this ground thoroughly.
You are a nothing But all I can think of is you from 'Bruises'
You're a snot And I adore you from 'I Love A Snot'
I hate you Cause I love you
and I love you Cause I hate me
and I liked it when you hurt me from 'Forget It, It's a Mystery'
Lisa nearly didn't put 'I Love a Snot' on the album. "Ivo said to me, I don't know why you want to write a song about snot. I said, no, Ivo it's not about snot. It's about a snot – someone who's snotty, someone who's all snobby. So later I was telling this story to two guys from the 4AD office in L.A., about how Ivo didn't know what a snot was and that it must mean something different in England, and how funny it was that he thought I would even write a song about snot, and they said 'actually we didn't know either until you just told us.' Anyway, the words don't make sense if it's about snot."
'Forget It' was one of several songs on the record that started out mean, according to Lisa, but under the influence of co–producer Paul Mahern took on a more positive aspect. Mahern – the man who encouraged Lisa to release her first album – "was trying to steer me into being more positive. He would burn sage around the house to get rid of evil spirits."
What evil spirits?
"I had a bad relationship in the house. Anyway, we switched some of these songs from being hateful to being what they are. I was trying to have a sense of humour."
How many bad relationships have you had?
"To be honest, just three or four – they all end up being the same song because you keep on repeating what you're doing."
And do the guys know the songs are about them?
"I think they know. Actually, one person I don't think ever knew, and I wrote whole bunches about him. Anyway, after they've become songs, they're not really about anyone anymore. They're just about situations. They're just songs." In between the songs on Excerpts from a Love Circus you'll hear plenty of interruptions from Lisa's two cats, Dorothy and Miamo–Tutti. (Among the thank–yous on the sleeve is one to the Blue Sky clinic for saving Miamo–Tutti's life.) Dorothy takes the lead on 'Where's Miamo–Tutti?', whereas Miamo–Tutti's uneasy growling can be heard on 'Just a Bad Dream'. And on 'There's More Kitties in the World Than Just Miamo–Tutti' Lisa gives Dorothy some advice that clearly is really aimed at herself: 'as soon as you quit looking, they'll come around.'
Which brings us neatly to the other song that Lisa nearly left off the album, 'Lovesick'. She says she thought maybe it was too personal. This from the woman who, on her last album, shared with us the feelings of a woman lying in bed waiting for the guy who's stalking her to break into her house ('a psychopath who says he loves me, and I'm alone and I'm cold and I'm paralysed').
What could be too personal for Lisa Germano?
In the song a man says to her, 'You're not my Yoko Ono'. Lisa explains the reference: "I didn't realise that I was living in this myth of two people going through life together and supporting each other, no matter what, until he said that to me. John Lennon was a very artistic man. He could have had anyone in the world – but he chose a woman who challenged him, and they became soul–mates. So for this person to say that to me, he was saying, 'I never loved you, you're not strong enough for me, and we were never soul mates.' Of course, I should have just said, 'yeah, and you're no John fucking Lennon'."
So why was this too personal for the album?
"Maybe because I do have this stupid dream of trying to find a soul mate, and that embarrasses me, and because it bugs me that I wasn't strong enough at the time to get out of a very bad relationship because of that dream." says Lisa. "It won't happen again!...Ha, ha, ha...."
She was born and raised in Mishawaka, Indiana. She grew up in the musical family . She was in the Mishawaka City strings orchestra . She was Concert Mistress .
Source: http://www.4ad.com/artists/catalogue/germano/biog.htm
