Children Of Bodom

In the last eight or so years, Children Of Bodom that darted to international fame with their debut, 1997’s "Something Wild", has gone from being "this amazing band from Finland" to a household name in the metalscene. And that, of course, is obvious given the intensity, sheer quality of their material and the flawless execution.

Formed in 1993 and hailing from the city of Espoo, Finland, this young Finnish group took their name from one of the biggest murder mysteries in the history of their home town and Finnish crime: the murders at the Lake Bodom. After starting out as a thrash-metal combo, the founding members Alexi Laiho (guitars and vocals), Jaska Raatikainen (drums), Henkka Seppälä (bass) and Alexander Kuoppala (guitars) soon found elements of classic heavy metal creeping into their music. After taking in keyboardist Janne Wirman to complete their line-up, they honed their combination of old schoold black metal, classic heavy, and death metal vocals into the sharpest instrument of its kind and headed out to a studio record a demo tape.

After Spinefarm Records received Children Of Bodom’s demo, it didn’t take long for the company to figure out what they had in their hands back in late 1996. Soon the band was signed and ready to knock a few heads off.

The self-titled debut single "Children Of Bodom" went straight to number 1 on the Finnish charts and sold platinum. The debut full-length album "Something Wild" was released in Finland in 1997. The Bodoms supported Dimmu Borgir at the band's Helsinki show in November and were hailed as the new kings of Finnish underground metal by the press. Licensing deal with Nuclear Blast for central Europe was inked quickly and soon after Middle Europe the album was also released in Japan and Thailand.

Soon Children Of Bodom was flying all over Europe and writing new material that would become the "Hatebreeder" album, which was released in February 1999. On "Hatebreeder" their music had found its true shape: the album was faster, heavier and more versatile than "Something Wild". The single "Downfall" went gold and ruled the Finnish charts.

During the summer 99 Children Of Bodom toured Finland and Europe. In June they did three sold out gigs in Japan with Dark Tranquillity and Sinergy and recorded the live CD: "Tokyo Warhearts-Live in Japan". "Tokyo Warhearts" came out as a limited digibook-edition in Europe in October and all the 20.000 copies of it were almost immediately sold out. The buzz around the band was reaching new heights.

In 2000 the single "Hate Me!" went #1 at the Finnish charts and sold gold in Finland in just a couple of weeks. Platinum sales soon followed. While the single was topping the charts, Children Of Bodom finished their studio sessions at Peter Tägtgren's Abyss Studio, and the third album "Follow the Reaper" saw the light of day on the 30th of October 2000.

"Follow the Reaper" was a glorious mixture of their debut album's heavy riffing raw sound, combined with "Hatebreeder" monstrous technical metal acrobatics. The most noticable thing however was how much the band had improved as a unit and in bringing the personal levels of musicianship to a new high.

On "Hate Crew Deathroll", which was released in January 2003, not only did the band take their songwriting into new levels of aggressivity and heaviness but the way the songs were carried out pummeled everything they -or anyone, for that matter- had done into dust.

On "Hate Crew Deathroll" Alexi Laiho spits out his lyrics with vitriolic hate, the guitars (courtesy of Alexi and Alexander Kuoppala) shred everything in their wake with razorsharp precision while the rhythmsection (the demolition duo of Henkka T. Blacksmith & Jaska W. Raatikainen) pounds away like the world is about to end. As a final coup de gracé come the keyboards of Janne Warman, making sure the path of destruction is complete with the fervour and precision of a seasoned executioner on a killing spree.

In the Summer of 2003, Alexander Kuoppala left the band and was replaced by Roope Latvala, whose stellar playing had already graced countless of Finnish metal records. Being perhaps the most widely acclaim