Mark Arnell: vocals, co-producer Richie Wermerling: keyboards, co-producer Lizzard: guitar Lawrence Addison: bass Danny Martin: drums
"So long to the bad times / Good times have been a long, long time coming." - "Long Time Coming"
If art imitates life, then this prophetic lyric from "Long Time Coming," the first track on the Left Hand/Universal Records self-titled debut album by London exports Bottlefly sets the stage for so much more. After long stints with other groups, co- founders Mark Arnell and Richie Wermerling found the perfect vehicle three years ago to pool their many influences, which range from classic '60s pop to soaring '90s rock.
Bottlefly's debut album (co-produced by Eric Caudieux, Arnell, and Wermerling) is truly a melting pot that combines a lifetime of experiences unveiling its own carnival-like universal canvas of "pet sounds," sinister clowns, drug dealers, silver-clad dancing girls and even a lyrical nod to Academy Award winner Michael Caine.
"We really were not conscious of emulating the contemporary pop trends happening around the world," says Arnell. "We were looking to combine modern recording techniques with a vintage pop song-based sound." Wermerling originally entered the project as a producer/songwriter after hearing Arnell sing, but his array of keyboard sounds could not be duplicated by anyone else.
The two retreated to Richie's basement home studio in London, dubbed "The Purple Shed," because that was the color they painted the walls, and proceeded to create the songs that would eventually make up their maiden effort. "We put all the ideas into a cauldron and let it brew," Arnell laughs. He called on three fellow members of his previous band, The Velvet Dogs - Isle of Man guitarist Lizzard, Leeds-based drummer Danny Martin, and Surrey native Lawrence Addison (Sir George Martin's former bass player) - to flesh out the sound. The fact that four of the members played together for eight years prior has produced a palpable tightness that comes across in all of the band's arrangements.
The first single, "Lemoneyez," typifies the group's approach, as a gently strummed acoustic interlude explodes into a cathartic trip laced together with ethereal harmonies and cascading string samples. Mixed by Mike Fraser (Aerosmith, AC/DC), Bottlefly bubbles with variety. And what a batch of tunes they are, running the gamut from the upbeat, tongue-in-cheek optimism of "Long Time Coming," "Sunshine," and "Strawberry" to the acid-drenched sensuality of "Umbrella," the jumped-up ska/dance- hall reggae of "Got 2 B Love," the carnival-like calliope of "Clowns," the Beatlesesque doo-wop of "Silver Revolver," the cynical Kinks-like double-entendres of "Michael Caine" and the Bowiesque set-piece finale, a literally show-stopping East meets West "Closer," complete with "Stairway To Heaven" guitars and Indian sitars.
Bottlefly offers a potent pop buzz that drags the past kicking and screaming into the future. It's no surprise they get their name from an actual fly that was captured by Arnell and imprisoned in a jar. The insect finally gave his life after being recorded for the title track.
"This album represents everything we've ever listened to or played," adds Arnell. "When I first met Richie, we were just having a good laugh. We just wanted to get together and have a scream. But we got on a roll and all these songs came out. We want to take this as far as it can go. We hope to put smiles on as many faces as possible. There's pretty much something on here for everyone."
It sounds like Bottlefly has captured pop lightning in a jar.
