The idea of Ewigheim, coming to Yantit's mind in November 1999, was to make dancable, catchy and more or less electric guitar-music with cynical German lyrics. Based on this the first three songs "Rückrad", "Leiche zur See" and "Dein Zweck" were made in programmed form (bass, layer- and effect-sequences). Since the project still lacked a vocalist, Allen B. Konstanz joined later in May 2000. He didn't only took over the vocal parts but played as well the drums, since the studies both (drums and vocals) and Yantit didn't want to play drums in Ewigheim from the beginning on.
In 2001 Yantit took the idea and the three finished songs to Last Episode (the label of the band Eisregen where Yantit plays drums) that wanted to publish Ewigheim's records, so that Allen and Yantit could enter the Studio E (M.Stock) in April.
In meantime four additional songs were written so that afterwards M.Roth (Eisregen-vocalist) and Theresa (violins - Eisregen) could join. Yantit asked them whether they were interested to join the project at some parts and both agreed immediately. The results are the violin-parts on "Leice zur See" and "Mord nicht ohne Grund" as well as M.Roth's vocals on "Mord nicht ohne Grund."
Thus Ewigheim, as mentioned above, recorded their debut album "Mord nicht ohne Grund" in April 2001. During the recording process it became clear that Last Episode couldn't (or didn't want to) pay the project so that Ewigheim found their new label in Prophecy Productions and signed a contract with them after some negotiations.
The debut album "Mord nicht ohne Grund" was very successfull after the release in January 2002, so that the first edition was already sold out 5 months later... For the first live gigs 2T (Violin and technics) of Eisregen was asked and the concerts went quite fine.
The second Ewigheim album "Heimwege" was released in autumn 2004.