Ready to warp the minds of a new generation, dope producers Blag Dahlia and Eric Valentine team up to create an ambitious follow up to 1998s "The Dwarves are Young & Good Looking". Fresh from helming Top Ten hits for Smashmouth and Third-Eye Blind, Valentine experiments with a more brutal form of pop-music and in the process drags Punk-Rock kicking and screaming into the 21st Century.
The album- "The Dwarves Come Clean" is a schizophrenic effort that jumps frenetically from hook-laden power-pop to skin-crawling hardcore, from dirty novelty songs to disturbing new-metal production pieces, in the process mutating the whole spectrum of modern and retro rock styles.
Blag the Ripper enlists the help of songwriters Mr. Everything, Wholley Smokkes Trevor Whatever and HEWHOCANNOTBENAMED who join a host of guest artists (DJ Marz, Luke Sick, Swingin' Utters, Queens of the Stoneage) to further fracture the heads of record buyers desperate for something new.
Recalling the classic "Blood, Guts & Pussy" album, photographer Michael Lavine captures the return of dwarf icon Bobby Faust as he cavorts with two luscious nymphettes and a bubble machine for the album's cover. So much for Wal-Mart.
Once again, the British press salivates for the new Dwarves record, but this time even America is starting to catch on to the San Francisco Rock Legends. Adding bassist Chip Fracture (Jon Cougar Concentration Camp, Machine Gun) and drummer Gregor (Excel, My Head) the Dwarves take their ever expanding line-up to the stage.
Once again the nation and the world prepare to hide their daughters.
