Twilley and Phil Seymour met in Tulsa in 1967 at a theater where they had gone to see The Beatles' A Hard Day's Night, and soon began writing songs and recording together. They continued their partnership over the next several years under the name Oister. Twilley wrote all the songs and played guitar and piano, Seymour played drums and bass, and both sang leads and harmonies. Guitarist Bill Pitcock IV played lead guitar on most of their tracks.
Twilley attended Northeastern Oklahoma A&M College from 1971 to 1973. Twilley and Seymour eventually decided to leave Tulsa and try to be discovered at a recording studio in Memphis, Tennessee. By sheer chance, the first studio that they wandered into was Sun Studio, where they met, according to Twilley, "some guy named Phillips."[1] After listening to a cassette of their folk/pop/country blend, Jerry Phillips (son of Sun founder Sam Phillips) referred them to the Tupelo, Mississippi studio of former Sun artist Ray Harris, whom both Twilley and Seymour credited for introducing them to rockabilly and adding a harder edge to their sound.[1]
Ultimately, Twilley and Seymour went to Los Angeles to find a label, where they ironically signed with Shelter Records, a label co-owned by Denny Cordell and Tulsa's Leon Russell, in 1974.[2] Cordell promptly changed the group's name from Oister to the Dwight Twilley Band, which set the seeds for future problems arising from Seymour's anonymity in the partnership.
Phil Seymour and Dwight Twilley, just after signing to Shelter. The mix of clothing illustrates the label's uncertainty about the appropriate image for the band.
Their first single, "I'm on Fire", reached #16 on the charts in 1975 with relatively little promotion, largely because the band was in England recording its first album, tentatively called Fire, with producer Robin Cable at Trident Studios.[1] The photos used on the single's picture sleeve were low quality photo booth images due to Shelter's uncertainty about the band's "appropriate" image, illustrated by the band's first promo picture (right). The unexpected success of the self-produced "I'm On Fire" caused most of the English tracks to be relegated to a second album, thereafter known as The B Album.[2] Leon Russell then permitted the band to record new tracks at his 40-track home studio, where one of the engineers was Roger Linn, who also contributed lead guitars and bass to some recordings.
During an appearance on American Bandstand, the band played what was to be its follow-up single, "Shark (in the Dark)", produced by Twilley, Seymour and Russell. The success of the film Jaws, however, caused Shelter to reject the single, apparently to keep the group from being perceived as a cash-in novelty act.[2] The eventual follow-up single, "You Were So Warm" backed with "Sincerely", failed due to distribution problems; just after the single was released, Shelter Records collapsed in the midst of a lawsuit between Russell and Cordell. The Dwight Twilley Band's completed album went unreleased for 10 months due to Shelter's switch from MCA Records to ABC Records for distribution, and The B Album was left unreleased.
When the album Sincerely was finally released in 1976, it surprisingly failed as well, peaking at #138. During this time, Seymour and Twilley befriended label mate Tom Petty and contributed backing vocals on several of his tracks, creating a long-lasting friendship.
Shelter then switched distribution again to Arista Records. ABC elected to keep Petty and J. J. Cale, leaving Twilley alone on the Shelter/Arista label. Pitcock became a credited member of the Dwight Twilley Band during touring and recording of the second album. However, that album, Twilley Don't Mind, proved to be another commercial disappointment in 1977. Seymour left the band the following year, pursuing a solo career with some success until he developed what proved to be terminal cancer. He died of lymphoma in 1993, and Twilley still does not perform Dwight Twilley Band songs that featured lead vocals by Seymour.[2]
[edit] Solo Years
After the demise of the Dwight Twilley Band, Twilley continued as a solo act, keeping Pitcock on lead guitar and adding Susan Cowsill on harmony vocals. This lineup released the album Twilley for Shelter/Arista in 1979, although the album's most successful song, "Darlin'", featured backing vocals by Seymour. His next album, Blueprint, co-produced by Jack Nitzsche, was rejected by Arista after the failure of the 1979 single "Somebody to Love" although it was assigned an Arista release number. Blueprint ultimately was never released, keeping Twilley out of circulation until his Shelter contract expired at the end of 1981.
He then moved to EMI America for Scuba Divers (1982), a combination of rejected Blueprint tracks and new material. His follow-up album, Jungle (1984), produced his second national hit single, "Girls", featuring a counterpoint vocal by Petty, which also reached #16 on the Billboard Hot 100 and the Top 5 of the Top Tracks chart. His follow-up single, "Little Bit of Love", reached #77. Unfortunately, Twilley left EMI America at that point, which once again dissipated his momentum from the hit. Twilley's 1986 album Wild Dogs was recorded for Private I Records, a custom label run by independent radio promoter Joe Isgro that was distributed by Epic Records; however, when Isgro was implicated in a 1986 radio promotion scandal, Private I Records collapsed. Instead, the album was quietly released by Epic's CBS Associated label, where it went largely unnoticed, despite the appearance of the last Twilley/Seymour song, "Shooting Stars".
After the failure of Wild Dogs, Twilley found himself without a label (or a lead guitarist, as Bill Pitcock IV had quit), although the Dwight Twilley Band albums were reissued in CD form with bonus tracks by the audiophile DCC Compact Classics label in 1989 and 1990. In 1993, shortly before Phil Seymour's death, the Dwight Twilley Band released The Great Lost Twilley Album, which collected a fraction of the "hundreds" of early unreleased songs Twilley and Seymour had recorded for Shelter, including several songs from The B Album and Blueprint, as well as a few alternate versions of released songs. However, once again the Dwight Twilley Band fell victim to some label politics, as EMI bought the rights to Shelter just weeks after the release, and all three of the DCC Dwight Twilley Band albums went out of print again.
Twilley wrote a parenting book based on his long-distance relationship with his daughter Dionne, entitled Questions From Dad. He then ironically titled his next album, intended for release in 1994, The Luck. The irony didn't help Twilley with record label executives, and Twilley was unable to secure distribution for it.
In 1996, EMI issued a 21-song Twilley "greatest hits" collection entitled XXI, which included two new songs (one of which had been on The Luck) on its The Right Stuff reissue label. The next year, The Right Stuff reissued Sincerely and Twilley Don't Mind with somewhat different bonus tracks from the DCC versions. Unfortunately, all three of these releases again went out of print.
However, in 1998, Pitcock rejoined Twilley, and the rise of digital audio meant that placing a record on a major label became less of a priority. In 1999, Twilley released both another rarities collection, Between the Cracks, Vol. 1 (Not Lame Records), made up of songs not owned by Shelter, EMI or CBS, and his first new album in 13 years, Tulsa (Copper Records). In 2001, Twilley finally released The Luck (Big Oak Records), although with some changes to the version he had completed in 1994. The six-song seasonal EP Have a Twilley Christmas (Digital Musicworks International, "DMI") appeared in 2004, followed by two more albums on the same label, his ninth studio album, 47 Moons, in 2005 and his first live album, Live: All Access in 2006.
Tulsa was sold to DMI (now Digital Music Group, Incorporated, or DMGI) in 2004. Additionally, the Dwight Twilley Band albums Sincerely and Twilley Don't Mind and the first two Twilley solo albums Twilley and Scuba Divers are available in two-disk compilations by Australia's Raven Records. However, Jungle and Wild Dogs have never been released in CD format.
In November, 2007, Twilley's DMGI catalog was acquired by DMGI founder and CEO, Mitchell Koulouris. A post-major label retrospective titled Northridge to Tulsa (Twilley lived in Northridge while recording The Luck[3]) was the first to be released by Koulouris' Gigatone label (in December 2007). In addition, a new release of 47 Moons with bonus tracks and a remastered edition of Tulsa were also released by Gigatone in December 2007. Finally, the first of four volumes of outtakes, demos and live recordings in a series titled Rarities was also released by Gigatone in December 2007 with the remaining three Rarities titles scheduled for release in early 2008.
[edit] Discography
[edit] The Dwight Twilley Band Sincerely (1976, reissued 1989, 1997, 2007) Twilley Don't Mind (1977, reissued 1990, 1997, 2007) The Great Lost Twilley Album (1993)
[edit] Solo Twilley (1979, reissued 2006) Scuba Divers (1982, reissued 2006) Jungle (1984) Wild Dogs (1986) XXI (1996) - greatest hits Between the Cracks, Vol. 1 (1999) Tulsa (1999) The Luck (2001) Have A Twilley Christmas (EP, 2004) 47 Moons (2005) Have A Twilley Christmas (Expanded and Remastered, 2005) Live: All Access (2006) 47 Moons (Bonus Tracks, 2007) Tulsa (Remastered, 2007) Northridge to Tulsa: The Best of Dwight Twilley 1997-2007 (2007) Rarities, Volume 1 (2007) Rarities, Volume 2 (2008) Rarities, Volume 3 (2008) Rarities, Volume 4 (2008) Out Of The Box (2009)
[edit] Videos
The Dwight Twilley Band "Looking For the Magic" (with Tom Petty)
Solo "Girls" (music video, with Tom Petty) "I'm on Fire" (live)
